Fargo | |
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![]() Theatrical release poster |
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Directed by | Joel Coen Ethan Coen (uncredited) |
Produced by | Ethan Coen Joel Coen (uncredited) |
Written by | Joel Coen Ethan Coen |
Starring | Frances McDormand William H. Macy Steve Buscemi Harve Presnell Peter Stormare |
Music by | Carter Burwell |
Cinematography | Roger Deakins |
Editing by | Roderick Jaynes |
Studio | PolyGram Filmed Entertainment Working Title Films |
Distributed by | Gramercy Pictures |
Release date(s) | March 8, 1996 |
Running time | 98 minutes |
Country | United States |
Language | English |
Budget | $7,000,000 (est.) |
Gross revenue | $60,611,975 |
Fargo is a 1996 American dark comedy crime film produced, directed and written by brothers Joel and Ethan Coen. It stars Frances McDormand as a pregnant police chief who investigates a series of homicides, William H. Macy as a car salesman who hires two criminals to kidnap his wife, Steve Buscemi and Peter Stormare as the criminals, and Harve Presnell as the salesman's father-in-law.
The film earned seven Academy Award nominations, winning two for Best Original Screenplay for the Coens and Best Actress in a Leading Role for McDormand.[1] It also won the BAFTA Award and the Award for Best Director for Joel Coen at the 1996 Cannes Film Festival.[2]
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In 1987, Minneapolis automobile salesman Jerry Lundegaard (William H. Macy) is in severe financial trouble. After being introduced to criminals Carl Showalter (Steve Buscemi) and Gaear Grimsrud (Peter Stormare) by Native American ex-convict Shep Proudfoot (Steve Reevis), a mechanic at his dealership, Jerry travels to Fargo, North Dakota and hires the two men to kidnap his wife Jean (Kristin Rudrüd) in exchange for a new car and half of the $80,000 ransom. However, Jerry intends to demand a much larger sum from his wealthy but antagonistic father-in-law, Wade Gustafson (Harve Presnell), and keep most of the money for himself.
Meanwhile, a financial company has been threatening to withdraw a loan they made to Jerry, and Jerry has been trying to raise money by promoting a real-estate deal to Wade. Jerry tries to call off the kidnapping after Wade agrees to the investment, but he is too late, and, as it turns out, Wade intends to buy the property himself, leaving Jerry with only a finder's fee, which is not enough to pay off his debts.
Meanwhile, Carl and Gaear kidnap Jean, but on their way through Brainerd, a state trooper stops them because of the car's license plates. When Carl's attempt to bribe the trooper fails, Gaear shoots the trooper. He also kills a couple who happen to drive by and see Carl dragging the trooper's body.
The deaths are investigated the next morning by local police chief Marge Gunderson (McDormand), who is seven months pregnant. She quickly deduces the chain of events and follows the leads that arise, interviewing two prostitutes who serviced the criminals and tracing the license plates on the criminals' vehicle to Jerry's dealership. After being informed that they telephoned Shep Proudfoot, she drives to Minneapolis, but she acquires no information in interviews with Shep and Jerry.
Meanwhile, Jerry contacts Wade, claiming that the kidnappers insist on dealing only with Jerry. Wade accepts this arrangement at first, but later changes his mind. When he meets with Carl at a parking garage, he refuses to give him the money until his daughter is returned. Angered by his demands and unexpected appearance, Carl starts a shootout and kills Wade after Wade shoots him in the face, then kills the garage attendant on his way out. Jerry arrives at the scene after Carl leaves, and opens the trunk of his car, presumably to take Wade's body. On his way to the backwoods hideout on Moose Lake, Carl discovers that the bag he took from Wade contains a million dollars and buries most of the money by the side of the highway. At the hideout, Gaear has killed Jean, and, in a dispute over the car, he kills Carl with an axe.
Before leaving town, Marge questions Jerry again, asking him about the car used in the murders, but he provides no information. When she asks to see Wade, who is the owner of the dealership, Jerry makes an excuse to leave the office and drives away from the lot. Marge phones the State Police to find and arrest him, then, following up on a tip, she drives to the lake, sees the kidnappers' car, and arrives at the hideout just in time to see Gaear pushing the last of Carl's body into a wood chipper. Gaear tries to flee, but Marge shoots him in the leg and arrests him.
Jerry is later arrested in a motel outside of Bismarck, North Dakota. In the final scene, Marge and her husband, Norm (John Carroll Lynch), sit in bed together discussing his artwork, which has been selected as the design for a postage stamp.
Fargo opens with the following text:
THIS IS A TRUE STORY. The events depicted in this film took place in Minnesota in 1987. At the request of the survivors, the names have been changed. Out of respect for the dead, the rest has been told exactly as it occurred.
Although the film itself is completely fictional, the Coen brothers claim that many of the events that take place in the movie were actually based on true events from other cases that they threw together to make one story. Joel Coen noted:
"We weren't interested in that kind of fidelity. The basic events are the same as in the real case, but the characterizations are fully imagined...If an audience believes that something's based on a real event, it gives you permission to do things they might otherwise not accept."
The Coens claim the actual murders took place, but not in Minnesota.[3] The main reason for the film's setting is the fact that the Coens were born and raised in St. Louis Park, a suburb of Minneapolis.[4]
On the special edition DVD's trivia track for Fargo, it is revealed that the main case for the movie's inspiration was based on the infamous 1986 murder of Helle Crafts from Connecticut at the hands of her husband, Richard, who killed her and disposed of her body through a wood chipper.[5] A Japanese woman, Takako Konishi, who died in 2001 outside of Detroit Lakes, Minnesota, was falsely rumored to have been searching for the missing money in the film.[6]
The end credits bear the standard "all persons fictitious" disclaimer for a work of fiction.[7]
The unseasonably mild winter of early 1995 forced the crew to move locations frequently to find suitably snow-covered landscapes. Fake snow had to be used for many scenes. Pools and streams of meltwater are visible in many scenes.
Locations used during production include:
The film's use of "Minnesota nice" and a "singsong" regional accent are remembered years later, with locals fielding requests to say "Yah, you betcha", and other lines from the movie.[12] According to the film's dialect coach, Liz Himelstein, "the accent was another character". She coached the cast using audio tapes and field trips.[13] Another dialog coach, Larissa Kokernot (who appeared onscreen playing a prostitute), notes that the "small-town, Minnesota accent is close to the sound of the Nords and the Swedes", which is "where the musicality comes from". She also helped McDormand understand Minnesota nice and the practice of head-nodding to show agreement.[14] Most rural Minnesotans speak with an accent similar to that found in the film, but the strong accent of Jerry and Marge is less common in the Twin Cities, where over 60% of the state's population lives. Speakers from Minneapolis and St. Paul are more characterized by the Northern Cities Vowel Shift, which is also found in other places in the northern United States such as Chicago, Detroit and Buffalo.
Fargo was met with universal critical acclaim.[15][16] Film critic Roger Ebert named Fargo as his fourth favorite film of the 1990s (he also named it 'best of 1996').[17] In his original review, Ebert called it "one of the best films I've ever seen" and explained that "films like Fargo are why I love the movies".[18] Many prominent critics named it 'best of the year' including Joel Siegel, Lisa Schwartzbaum of Entertainment Weekly, Gene Siskel, and Leonard Maltin. Fargo has the honor of being one of the very few films to ever receive a unanimous 'A' rating from the critical mass of ratings at Entertainment Weekly.
The film was ranked #84 on the American Film Institute's "100 Years...100 Movies" list in 1998 (although it was removed from the 2007 version) and #93 on its "100 Years...100 Laughs" list. The character Marge Gunderson was ranked #33 on AFI's 100 Years... 100 Heroes and Villains. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being deemed "culturally, historically, or aesthetically significant", currently one of the only five films to make the Registry in its first year of eligibility, and is one of the leading examples of the neo-noir and comedy genre. It is also the most recent film to receive the honor of being inducted into the National Recording Registry.
Fargo was screened at many film festivals. It was in the main competition at the 1996 Cannes Film Festival, where it won the Prix de la mise en scène prize (Best Director). Other festival screenings included the Pusan International Film Festival, the Karlovy Vary International Film Festival and the Naples Film Festival. On March 1, 2006, for the film's tenth anniversary, the annual Fargo Film Festival showed Fargo by projecting the film on the side of the Radisson Hotel (the city's tallest building) in downtown Fargo.
American Film Institute recognition
Fargo/Barton Fink: Music by Carter Burwell | ||||
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Soundtrack by Carter Burwell | ||||
Released | May 28, 1996 | |||
Genre | Film score | |||
Length | 43:15 | |||
Label | TVT | |||
Professional reviews | ||||
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Coen Brothers film soundtracks chronology | ||||
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As with all the Coen Brothers' films except for O Brother Where Art Thou, the score to Fargo is by Carter Burwell.[19]
The main musical motif is based on a Norwegian folk song[20] called "The Lost Sheep", or natively "Den Bortkomne Sauen".
Other songs in the film include "Big City" by Merle Haggard, heard in the Fargo bar where Jerry meets with kidnappers Carl and Gaear, and "Let's Find Each Other Tonight," a live nightclub performance by José Feliciano that is viewed by Showalter and a female escort. In the diner when Jerry is urging Wade not to get police involved in his wife's kidnapping, Chuck Mangione's "Feels So Good" can be heard faintly in the background. The restaurant scene with Mike Yanagita is quietly accompanied by a piano arrangement of "Sometimes in Winter" by Blood, Sweat & Tears. None of these songs appear on the soundtrack album.
The soundtrack was released in 1996 on TVT Records, combined with selections from the score to Barton Fink.[19]
In 1997, a pilot was filmed for a television series based on the film. Set in Brainerd, it starred Edie Falco as Marge Gunderson. Directed by Kathy Bates, the episode was shown during Trio's 2003 "Brilliant But Cancelled" series of failed TV shows.
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